The Fourth
Sunday in Advent: Peace
A week or so ago, my
ten year old daughter Rebecca -- who I’m delighted to declare is developing
well as a pianist and likes to sing -- informed me that she’d like to write a
song. Then she confessed her concern
about not knowing what to write about.
I replied by telling her – and not for the first time -- about the first
song I ever wrote.
I was ten. The instrument was my first guitar, which I’d
received for Christmas. The song was
called “Life In a Fishbowl.” I
remember it had a basic D-G-A7 chord progression and steady downward strum
pattern. The opening lyrics were as
follows – “Life in a fishbowl, swimming around, in my aqua town.” My words took a more dramatic, adventurous turn
next, as I penned lines about “little plastic men trying to capture me again.”
Obviously, the thing
that inspired me to write my first song was a simple fishbowl. It was
a little liquid estate. It had colorful rocks, some plastic seaweed, a
fake rock arch, and at least one little plastic scuba diver who – despite my
lyrics -- really didn’t pose a threat to the fish. It was
home to the oh-so-originally named Goldy and Rusty, both of whom I’d won at an
elementary school fair game table.
As I explained to
Rebecca, the inspiration was right in front of me … just part of my home life. I don’t recall there being any serious moment
of contemplating that fishbowl, of suddenly feeling overwhelmingly inspired to
write and sing about it. Yet it’s clear
to me now that this song wasn’t just about identifying myself with a particular
object and wet pets. Having been raised
on Hank Williams songs like “Lonesome Whippoorwill,” I was schooled from the
start on expressing emotions with figurative language. So I
believe even at that early age I had envisioned the fishbowl as a metaphor for
my life. Looking at it from the outside in, it magnified
more than the rocks on the bottom … it magnified tough truth about my home
life.
I could relate to
those fish, confined as they were to a space where there wasn’t much real freedom
and where the waters were filthy most all of the time. I could relate to feeling unsafe, as though
everyday was a cycle of being captured, released, captured again. I
could relate to feeling as though I lived in a transparent glass house. In metaphor, I believe I was singing on some
level about growing up in the pollution of the alcoholism that flowed through my
home life.
To me, then, this was
an early song about feeling marginalized … about not feeling like my life was ever
going to be lived in the mainstream; a song about struggle, about not feeling
any deep security and peace.
Someday, I’ll explain
all this more to Rebecca. That dad was
singing about fish and little plastic men is rather enough for her to ponder
and chuckle about for now. But perhaps
eventually it will help her know where to start and to recognize how even seemingly
simple things might have greater broader symbolic meaning. My hope for today in sharing this personal
anecdote is that it will alert us to recognize the same with our Bible passage
for this fourth, and final, Sunday in Advent.
Luke 1:46-55 is often
called “Mary’s Song.” As we read it,
and as we hear it read, it is at first listen a simple, sweet song of gratitude
and praise. She boldly sings of her
spirit rejoicing in the Lord, of feeling and being regarded as blessed. This is perfectly understandable
considering what had happened to her just prior to her heart-song. She’d been visited by the angel Gabriel and
told she had been chosen to conceive, by the power of the Holy Spirit, the very
Son of God. She then visited her
relative Elizabeth, whose own rather miraculous pregnancy confirmed this holy
calling. Mary’s response to all this
was to believe with all her heart, mind and soul that nothing is impossible for
God and so she joyfully accepted her appointment as an instrument of divine
mercy. And so she sang her song of
praise to the Mighty One who had done great things for her and for her
ancestors in the faith.
But this is not just a
simple song of awe, gratitude and praise to God. It’s not just a fishbowl glimpse into one
life and one moment in time.
This passage is also
and perhaps more widely known as The Magnificat. This is the Latin word meaning to magnify and directly points to Luke 1,
verse 46. What is being magnified in
Mary’s words flows much deeper … it floods straight over into God’s past,
present and future merciful action in this world. It streams into God’s great promises of
peace and reconciliation for all people, and more specifically, as one Bible scholar
has written, “for those who lurk on the fringes of the world’s hierarchy of
value.”
Mary was most
certainly a lurker. We should never overlook that this is a song
sung by a teenage, unwed mom-to-be, who, if not for her fiancée’s intercession,
most likely in her day would have been stoned to death. Her song magnifies her harsh marginalization
and thus also gives voice to every child of God who experiences devaluing by
worldly measures. To further quote the
same Bible scholar I just mentioned, Mary’s message about the Mighty One doing
great things can be applied to “anyone who has been marginalized by society, by
culture, even by the church … it may be a message that offers newness in the
midst of racial or economic discrimination … it may mean a message of newness
from a wheelchair or a nursing home … or in the midst of grief and loss or
barrenness of body or soul.”
The newness being
magnified is the broad-scoped reversal of fortunes from the merciful heart of
God. It magnifies the faithful fact that
God’s good and holy standards will always trump the worldly standards that
create injustices of every stripe. It
is the grand, eternal reversal of sin centered in the advent, birth, life,
death and resurrection of Jesus, Mary’s child, God’s Son, our Emmanuel, the
Christ.
The amazing scope of this reversal is promptly
pointed to by Luke in his use of the Greek word megas ((pronounced
megas).
The root of this word, which is the biblical basis of magnificat, refers to measurement of space
and its dimensions. It is meant to get
us thinking about God’s great mass and weight, God’s spacious breadth, God’s
long measure and height, and God’s eternal stature. It doesn’t magnify God’s mercy by zooming
in, but by zooming out! So Mary sings
of her soul glorifying the vast greatness of God in her life and in the life of
the whole world – a greatness that holds in highest regard every lowly, hungry
servant and steadfastly honors the merciful promises made to Hebrew
forbearers.
Quite
a lot of deep meaning for such a small and sacred ditty, don’t you think?
Really hammers home the point that Mary’s pregnancy and her joyful, grateful willingness to be an instrument of God’s merciful peace symbolizes much more than just what was happening in one poor but deeply blessed girls life. We thank God for Luke’s recording of this song!
Really hammers home the point that Mary’s pregnancy and her joyful, grateful willingness to be an instrument of God’s merciful peace symbolizes much more than just what was happening in one poor but deeply blessed girls life. We thank God for Luke’s recording of this song!
How
are you hearing it? Like so many songs
that have intimate yet timeless meaning for our lives, and for the world, what
does it mean to you? How are you being,
and how have you been, marginalized in your life? What mercy comes to you at the margins?
My
ten year old boy written song about marginalization was blessed with God’s amazing
grace and reversal of fortune. The swamp of all kinds of family abuses was cleansed;
replaced in my life by a steady stream of prayerful reflection and spiritual direction. He has led me beside still waters. Every song, poem, sermon, newsletter
article and just everything I write I try to magnify the scope of God’s
promised peace for all. And, as Mary
knew well, the beautiful thing about faithful witness is that it gets shared
through the ages, generation to generation, to the glory of our truly great
God. Amen.
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